IT’S MY FAVORITE GARGOYLE BACK AGAIN FOR WINTERTIME.
I want to know the exact conversation that lead to the creation of this abomination
Ye olde German architect: “ok, it’s time to put in the rainspouts and last night I was out with the lads and Hans had too much and the point is I had the FUNNIEST idea…” *Holds up drawing*
Ye olde German Architect Supervisor: * snorts beer out of his nose.* “YES. BUILD IT IMMEDIATELY.”
macaulay culkin was forced into his career by his father through manipulation, gaslighting and humiliation as well as physical abuse. at fourteen, instead of hitting him back like his father demanded, macaulay called the police and put a stop to the suffering that he and his family were facing. when his parents went bankrupt, macaulay offered up his own money to his mother and siblings and stepped up as the father figure to his five younger siblings. he’s publicly supported lgbt and pro-black charities for decades (x, x) and dedicated a good two pages of his book to naming conservatives and abusers that he hates. he risked his own reputation to defend michael jackson in court and treats michael’s daughter, paris, like his own. macaulay culkin is an amazing person whose made all of us happy over the years, and 2018 WILL be the year we repay him by supporting his hipster lifestyle website.
the level of chaotic gay energy the McElroys are able to accurately convey in their queer characters despite being straight cisgender men is… genuinely astonishing and really should raise the bar for literally all other straight creators tbqh
like they really hit a commendable sweet spot of “I understand the gravity of representsting marginalized identities that are not my own” and “this is just another character” that really Works for me as a queer listener? because there is that sensitivity and making sure that identities are explicitly stated and treated with respect, while recognizing that it’s not really their place to tell a story About being queer. Griffin, Justin, and Travis all make clear that Lup, Taako, and Aubrey’s hardships do NOT stem from their identities, and it’s so refreshing because 1.) I don’t need background homo/transphobia in my fantasy, thanks and 2.) I especially don’t need those issues being used as plot pieces by straight dudes, thanks.
and that’s just like… never the case. it’s always “oh, she’s trans, and also the biggest badass in this game.” “yeah, he’s gay and dating the grim reaper, but also he’s about to turn into a t. rex so buckle up.” “she’s bi but more importantly she’s about to set a lot of things on fire.” it’s like… literally what I as a queer consumer want to see in my genre and the McElroys deliver like it’s no big.
taika: here’s this neat symbolism of thor being sent down the same path of his father, shown by losing his eye and having the eyepatch, but instead he chose to be a better man than his father was. also his hammer gets destroyed because he never really needed it, it was just a channel for his powers, and he’s far more powerful without it.
russo brothers: ……………………………….. okay heres a robot eye and an axe
My stomach hurts and I can barely breathe, because I haven’t laughed this hard in a very, very long time. I only learned about this prank less than fifteen minutes ago, but I’m already dead from how ridiculous it is.
Context: Paul Rudd has a history of going on Conan O’Brien’s shows (first Late Night, then Conan) and, when asked to show a clip from his newest movie, shows this snippet of a 1988 movie called Mac and Me (an ET ripoff) that people refer to as “the runaway wheelchair scene.” And Conan falls for it… every time. The exasperation through the years just kills me. Every time Conan thinks that he’s maybe caught a break, it happens again.
He thought that Paul Rudd might have laid off the joke for Ant-Man, in hopes of not pissing off Marvel.
Look at that face. Look at that expression. Look at how resigned and dead he is. This was his chance to get Paul Rudd to actually show a proper clip. Who would piss off Marvel? Who would waste a chance to promo their new movie for a prank they’d already been doing for fifteen years?
Thesis: the real reason there was a falling-out between the high elves and the dark elves is that the high elves are stuck in the Baroque era while the dark elves have discovered glam rock.
The question I have is this: at what point in musical evolution are the dwarves?
Both the mountain dwarves and the duergar/gray dwarves are into excessively dramatic choral music, but in their case it’s the other way ‘round, and it’s the creepy, allegedly “evil” ones who are stuck in the past. Gray dwarves are all about ponderously chanted hymns in the Gregorian mode, while the musical traditions of the mountain dwarves most closely resemble Appalachian ballads – you know, the really grandly morose kind that are all about mining disasters and the kids who didn’t come home from the War.
hot take: the problem isnt the manic pixie dream girl. its the boring ass moody emotional leech guy she always gets paired with. we need more manic pixie dream characters. just give them partners who are as great as them or let them be happy alone! no more smart, beautiful, optimistic, kind girls getting paired with actual mosquitoes of men!
Also: make some manic pixie dream boys. If I wanna see romance maybe I wanna see a giddy boy full of positive energy who tells you fun facts about the constellations. Stop teaching boys they have to be moody and sad and they have to find salvation in a dream girl, this is how you breed Bad Men.
she/her/hers | 19 | Pan | Currently in Evil Dead/Re-animator hell
